Para portretów mistrza Stanisława Marszałkiewicza malowanych, sądzę, ok 1840 roku. Oba portrety są sygnowane. Cena szacunkowa do przełknięcia choć dama i jej mąż mogą mieć (ale niekoniecznie) ruskie pochodzenie. Wąska grupa kolekcjonerów polskich miniatur może dostać białej gorączki.
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Lot 963. STANISLAW MARSZALKIEWICZ. A pair of Portrait Miniatures signed “Marszalkiewcz”. Russian officer and his wife. Oval, height 9 resp 10 cm. Empire gilt-metal rectangular frames, 13×11 cm. Estimate 20,000-30,000 SEK (2,200-3,300 euro).
Lot 15. Alice Halicka (1895-1975). Cubist composition with violin, paper roll and pipe. Oil on canvas signed and dated on the upper left side 1915. 24 x 19 11/16 in. 10 000 / 12 000 €. Exhibition. Vichy 1988, cat.14. Reproduced in Cahier de l’Histoire de l’Art n°3 année 2005 fig. 8. Certified upon a photograph by Alice Halicka.
Lot 488. Maria Mela Muter. Mann mit Hut. Oil on canvas. 62.3 x 49.5 cm. Framed. Signed ‘Muter‘ upper right. Handwritten inscription “Retrouvé en 1962” on reverse. – Partly fine craqueleur. Retouchings to the right background. Upper edge with nail holes and isolated minor losses of colour due to former mounting. Estimate 16,000 – 18,000 €.
Provenance: Galerie Gmurzynska, Cologne (two labels on the stretcher). Exhibitions: Cologne 1967 (Galerie Gmurzynska), Mela Muter. Retrospektiv-Ausstellung, cat. no. 14.
Kunsthaus Lempertz. 30/05/2014.
Mela Muter was the daughter of the Jewish businessman Fabian Klingsland, who had dedicated himself in Warsaw to the patronage of artists and writers. In 1899 she married the critic, writer and activist Michael Mutermilch, with whom she moved to Paris in 1900. Here she continued her studies in the field of painting, which she had begun in Warsaw. As early as 1902, Muter had already begun participating in exhibitions of the “Salon des Indépendants”, the “Salon d’Automne” and the “Salon des Tuileries”. A member of the artistic and intellectual elite, her works quickly found favour among the illustrious Parisian Bohème. Here she developed into a sought-after portrait painter of numerous famous men. She created portraits not only of the important publisher and art dealer Ambroise Vollard, but also of the Mexican painter Diego Rivera, the Impressionist composer Albert Roussel, the politician Georges Clemenceau and the progressive architect Auguste Perret, to name just a few. In addition to these works, there were the images of farmers, gypsies and people from groups marginalised by society. A total of over 20 male portraits are known, painted primarily in bust- or half-length format. Even if there is a certain borrowing from the work of Cézanne, van Gogh and Gauguin in her early work, every one of her paintings is nonetheless of great mastery and originality on account of her unmistakable style as a painter. With the help of her somewhat harsh and vigorous manner of painting, Mela Muter was able to bring out a person’s characteristic features with extreme individuality and sensitivity. The thick and lively brushstroke, which was usually applied to passages of flesh, is particularly typical of her work. The contemplative, sunken gaze as well as the slender hand indicate the portrait of an aging man marked by a certain melancholy. The bluish base tones heightened with white and set in captivating contrast to the ochre-coloured flesh tones and the brown hat are particularly typical in terms of tonality.
Lot 14. Alice Halicka (1895-1975). Cubist composition with violin and piano keyboard. Oil on canvas signed and dated on the upper left side 1918. 24 x 18 5/16 in. 10 000 / 12 000 €. Exhibition. Vichy 1988, cat.27. Reproduced in Cahier de l’Histoire de l’Art n°3 of the year 2005 fig.13. Certified upon a photograph by Alice Halicka.
Dobra praca tego krótko żyjącego współczesnego artysty. Widzę na tym płótnie mieszankę wpływów Jerzego Dudy-Gracza z Witoldem Wojtkiewiczem; inni mogą zobaczą coś zupełnie innego.
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Lot 1020. Macijewski, Zbyslaw Marek. 1946 Pohulance – Krakau 1999. Frau, umgeben von Blumen. Gouache. Sign. und dat. 1985. 46,5 x 63 cm. Openieng 400 euro.
Lot 13. Alice Halicka (1895-1975). Still life, pitcher, glasses and bottle on pedestal table, Oil on canvas signed and dated on the upper right side 1915. 25 5/8 x 31 7/8 in. 10 000 / 15 000 €. Exhibiton. Vichy 1988, cat.17. Certified upon a photograph by Alice Halicka.
Cztery rzeźby Magdaleny Abakanowicz na jednej fotografii katalogu lecz każda sprzedawana jest osobno.
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Lot 353. Magdalena ABAKANOWICZ (Née en 1930). SANS TITRE (C). Bronze. Signé et daté sur la terrasse MAG. C, 2000, contresigné du monogramme à l’intérieur de la tête MA. Fonte Venturi Arte Bologna. 76,50 x 25,50 x 20,50 cm (29,84 x 9,95 x 8 in.). Provenance : Marlborough Gallery, Monaco. Collection particulière, Paris. Commentaire : BRONZE; SIGNED AND DATED ON THE BASE, SIGNED AGAIN WITH MONOGRAM INSIDE THE HEAD; VENTURI ARTE BOLOGNA FOUNDER. Estimation : 6 000 € / 8 000 €.
Lot 354. Magdalena ABAKANOWICZ (Née en 1930). SANS TITRE (A). Bronze. Signé et daté sur la terrasse MAG. A, 2000, contresigné du monogramme et daté à l’intérieur de la tête MA, 86. Fonte Venturi Arte Bologna. 78 x 25,50 x 20,50 cm (30,42 x 9,95 x 8 in.). Provenance : Marlborough Gallery, Monaco Collection particulière, Paris. Commentaire : BRONZE; SIGNED AND DATED ON THE BASE, SIGNED AGAIN WITH MONOGRAM AND DATED INSIDE THE HEAD; VENTURI ARTE BOLOGNA FOUNDER. Estimation : 6 000 € / 8 000 €.
Lot 355. Magdalena ABAKANOWICZ (Née en 1930). SANS TITRE (B). Bronze. Signé et daté sur la terrasse MAG. B, 2000, contresigné du monogramme et daté sous la base MA, 86. Fonte Venturi Arte. 75,50 x 26,30 x 21 cm (29,45 x 10,26 x 8,19 in.). Provenance : Marlborough Gallery, Monaco. Collection particulière, Paris. Commentaire : BRONZE; SIGNED AND DATED ON THE BASE, SIGNED AGAIN WITH MONOGRAM AND DATED UNDER THE BASE; VENTURI ARTE FOUNDER. Estimation : 6 000 € / 8 000 €.
Lot 356. Magdalena ABAKANOWICZ (Née en 1930). SANS TITRE (D). Bronze. Signé et daté sur la terrasse MAG. D, 2000. Fonte Venturi Arte Bologna. 80,50 x 25,50 x 20,50 cm (31,40 x 9,95 x 8 in.). Provenance : Marlborough Gallery, Monaco. Collection particulière, Paris. Commentaire : BRONZE; SIGNED AND DATED ON THE BASE, VENTURI ARTE BOLOGNA FOUNDER. Estimation : 6 000 € / 8 000 €.
Lot 304. Alina SZAPOCZNIKOW (1926 – 1973). VENTRE-COUSSIN – 1968. Mousse polyurethane. 28 x 35 x 17 cm (10,92 x 13,65 x 6,63 in.). Provenance : Don de l’artiste à l’actuel propriétaire. Bibliographie : E. Filipovic et J. Mytkowska, Alina Szapocznikow – Sculpture Undone 1955-1972, Editions Fonds Mercator, Bruxelles, 2011, p. 209, reproduit en couleur pl. 75, non paginé (un exemplaire similaire). Commentaire : POLYURETHAN FOAM. Estimation : 15 000 € / 20 000 €.
Kwestia gustu, ale dla mnie to najlepsza praca z tego katalogu.
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Lot 12. Alice Halicka (1895-1975). Cubist composition with violin and partition. Oil on canvas signed and dated on the upper left side, 1919. 25 5/8 x 31 7/8 in. 20 000 / 25 000 €. Exhibition. Vichy 1988, cat.29. Reproduced in Cahier de l’Histoire de l’Art n°3 of the year 2005 on thecover and on the first page. Certified upon a photograph Alice Halicka.
‘Usta’ skandalizującej Aliny ale tym razem zgorszenia i skandalu nie ma.
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Lot 302. Alina SZAPOCZNIKOW (1926 – 1973). BOUCHE-BAGUE. Résine polychrome; 2,50 x 5 x 2 cm (0,98 x 1,95 x 0,78 in.). Provenance : Don de l’artiste à l’actuel propriétaire. Commentaire : POLYCHROME RESIN. Estimation : 6 000 € / 8 000 €.
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Lot 303. Alina SZAPOCZNIKOW (1926 – 1973). BOUCHE-BAGUE. Résine polychrome et metal. 2 x 5 x 3,50 cm (0,78 x 1,95 x 1,37 in.). Provenance : Don de l’artiste à l’actuel propriétaire. Commentaire : POLYCHROME RESIN AND METAL. Estimation : 6 000 € / 8 000 €.