Lot 1461. Arthur Szyk (1894-1951)
‘Polish Christmas 1939’, signed, dated London ’39 and inscribed ‘To the Polish Guerillas’, 1940 Fine Art Society label verso, pencil and ink,9.25 x 7.75in.
Estimate 400-600 GBP. 12/9/15
Lot 113. Alexandre OsipOvitch OrlOwsky (1777-1832).
Etudes de six visages kirghizes, 1812.
Signé et daté en latin en haut à droite.
Dessin au crayon sur papier.
20 x 21,5 cm.
Bibliographie :
Catalogue de l’exposition Les dessins d’Alexandre Orlowsky
dans les collections particulières, Moscou, 2015.
Estimate 6,000-7,000 euro. Leclere. 12/8/15
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Lot 114. alexandre OsipOvitch OrlOwsky (1777-1832).
Portrait de Johan Friedrich von Tzigenbok.
Inscriptions au crayon de la main de l’auteur.
Dessin au crayon sur papier, fin du XVIIIe.
23 x 18 cm.
Bibliographie :
Catalogue de l’exposition Les dessins d’Alexandre Orlowsky
dans les collections particulières, Moscou, 2015.
Estimate 4,500-5,500 euro
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Lot 115. alexandre OsipOvitch OrlOwsky (1777-1832).
Portrait équestre du conseiller d’Etat Schönvogel en promenade.
Inscription à l’encre de la main de l’auteur.
Dessin au crayon sur papier, fin du XVIIIe.
22,5 x 12,5 cm.
Bibliographie :
Catalogue de l’exposition Les dessins d’Alexandre Orlowsky
dans les collections particulières, Moscou, 2015.
Estimate 4,500-5,500 euro
Sądząc po wycenie, ktoś bardzo optymistycznie ocenił tę pracę jako arcydzieło.
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Lot 32. JEHUDITH SOBEL, b. 1924, Polish – American, oil on canvas, Modernism Still Life, signed lower right, image size 30 in. by 24 in., framed.
Estimate $5,000-7,000. Deer Ridge. 12/6/15
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Lot 41. JEHUDITH SOBEL, b. 1924, oil on canvas, Still Life Flowers in Pot with Pinocchio, signed lower left: J. SOBEL, image size 20 in. by 16 in., framed
Estimate $1,000-1,500
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Lot 42. JEHUDITH SOBEL, b. 1924, oil on canvas, Still Life Flowers in Pitcher, signed lower left: J. SOBEL, image size 20 in. by 16 in., framed.
Estimate $1,000-1,500
Lot 208. JEAN LAMBERT-RUCKI (1888-1967)
‘COLONNE MORRIS’, 1924
oil on board, painted wood frame
7 x 5 ½ in. (17.8 x 14 cm.)
12 1/8 x 14 1/8 in. (30.8 x 36 cm.) including frame
signed and dated lower right J. Lambert-Rucki 1924
Provenance: Camard & Associés, Arts Décoratifs du XXe Siècle, 1 June 2005, lot 88.
Estimate $8,000-12,000. Christies. 12/17/15
bronzo, cm 34x41x18; es. 5/8; firmato e numerato
Lopera è accompagnata da autentica dellartista su fotografia
Provenienza: Galleria Contini, Venezia
Ivi acquisito dallattuale proprietà
Estimate 40,000-60,000 euro. Pandolfini. 12/5/15
Wow
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Lot 48. Alfred von Wierusz-Kowalski 1849-1915. POLISH
HARVEST FESTIVAL, signed A. Wierusz-Kowalski lower left, oil on canvas, 90 by 137cm., 35¼ by 54in. 60000
Authentication
We are grateful to Eliza Ptaszynska for her assistance in cataloguing this work.
Provenance
Sale: Neumeister, Munich, 7 December 1988, lot 645
Purchased at the above sale by the family of the late owner; thence by descent
Literature
Laszlo Balogh, Alltagschilderung in der Münchner Malerei, Mainburg, 1989, p. 96, fig. 133, illustrated
Hans-Peter Bühler, Jäger, Kosaken und polnische Reiter, Hildesheim, 1993, p. 31, fig. 22, illustrated; p. 161, catalogued (dated circa 1910)
Eliza Ptaszynska, Alfred Wierusz-Kowalski 1849-1915, Warsaw, 2011, p. 146, illustrated
Catalogue Note
The Polish harvest festival dates back to feudal times, when the nobility and larger landowners rewarded their farmers for their hard work. The popular and colourful Dożynki, as it is called in Polish, is a celebration of the conclusion of the growing season.
The typical Dożynki celebration started with Mass, followed by a harvest procession to the local manor house. Traditional costumes of the region were worn by most participants. In the old days the hardest-working girl harvester, or przodownica, wore a smaller version of the harvest wreath as a head piece, as in the present work.
Resident in Munich from 1873, Alfred Wierusz-Kowalski was a painter of Polish customs and rural life. He became best known for his depictions of sledge and coach rides in the snow, but also of summer scenes such as this. These paintings were valued for their exotic flavour by European and American art dealers and collectors alike.
Wierusz-Kowalski approached his subjects narratively in compositions full of dynamism and attention to detail. Finding great success as an artist in Germany, he nevertheless returned regularly to Poland, whose landscapes would remain the main inspiration for his work.
Estimate 60,000-80,000 GBP. Sothebys. 12/16/15
The price looks shy
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Lot 47. Josef von Brandt 1841 – 1915. POLISH
TO THE FOREST, signed and inscribed Józef Brandt / Warszawy /Monachium lower right
oil on canvas, 45 by 70.5cm., 17¾ by 27¾in.
Authentication
The authenticity of this work has been confirmed by Mariusz Klarecki.
Provenance
Purchased by the late owner in Munich in the 1970s; thence by descent
Literature
Hans-Peter Bühler, Jäger, Kosaken und polnische Reiter, Hildesheim, 1993, p. 99, fig. 101, illustrated; p.159, catalogued (dated circa 1910)
Estimate 30,000-50,000 GBP. Sothebys. 12/16/15.
Sold GBP 81,250