Judyta (Jehudith) Sobel (1924 – 2012)

Kolejne dwie prace Judyty Sobel. Zwraca uwagę solidność opisu biograficznego w związku z oczekiwaniem, moim zdaniem,  wysokich cen sprzedaży (estymacja jest wysoka!). Nie należy się ekscytować.

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Lot 102. Jehudith Sobel. Scene of a Brick House With a Tree in Front. Description: Oil on canvas, framed. Signed and dated lower left ‘J Sobel 1965.’ Provenance: purchased from the Estate of a German businesswoman. Sobel’s use of a bright color palette, short brushstrokes, and impasto reflect the influence of the artist’s Impressionist contemporaries, like Matisse and Bonnard. Sobel was born in Poland and attended the Academy of Fine Art in Lodz, Poland. She studied among fellow Abstract Constructivists like Wladyslaw Steminski and Stefan Wegner. Sobel then moved to Israel where there was an emerging art scene, and was exhibited in galleries and museums including the Museum of Modern Art at Haifa. In 1956, Sobel moved to New York where she again exhibited in major galleries and institutions, including The Jewish Museum, where she was one of the first two women to be featured in a two-person exhibition. Source: AskArt and The Jewish Museum, New York, N.Y., “Shifting the Gaze: Painting and Feminism.”. Appears to be in good condition. Dimensions: 35″ High, 28″ Wide. Medium: Oil on canvas. Date: 1965. Estimated Price: $6,000 – $8,000.

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Lot 103. Jehudith Sobel. Abstract Cafe in the Park Scene. Oil on canvas, framed. Signed lr ‘J. Sobel’. Provenence: purchased from the Estate of German businesswoman. 36.75 x 24.5 in. Estimated price $9,000-12,000.

Lofty.com. June 14, 2014

Stanisław Żukowski (1873 – 1944)

Uwaga moja identyczna jak w przypadku prac Trusza: poświadczenie autentyczności przez wszechwiedzącego eksperta. W przypadku pracy wystawionej w domu aukcyjnym Shapiro zwraca uwagę niecodzienna sygnatura. Słowem, trzeba dobrze się zastanowić i zapytać grzecznie o ‘second opinion’ prawdziwych ekspertów lub kolekcjonerów.

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Lot 156. ZHUKOVSKY, STANISLAV (1875-1944) Autumn Landscape, signed and dated 1933. Oil on canvas, 60 by 74 cm. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate £30,000 – £50,000.

MacDougall’s. 04 Jun 2014

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Lot 157. ZHUKOVSKY, STANISLAV (1875-1944) Early Spring, signed, inscribed “Pobojka” and dated 1934, also further signed and inscribed “Puszcza Swislocka” on the reverse. Oil on canvas, 56 by 66 cm. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate £16,000 – £20,000.

MacDougall’s. 04 Jun 2014

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Lot 54A. STANISLAV YULIANOVICH ZHUKOVSKY (RUSSIAN 1872-1944), `The Last Snow`, 1899, oil on paperboard, 29.9 x 39.5 cm (11 3/8 x 15 5/8 in.), signed and dated lower right, PROVENANCE: Private Collection, New York. Estimate $12,000 – $15,000.

Shapiro. 07 Jun 2014.

Wilhelm Kotarbiński (1849 – 1921)

Podobnej pracy Kotarbińskiego jeszcze nie widziałem. Niezła, odbiegająca od tych chodliwych i drogich.

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Lot 43A. VASILY ALEXANDROVICH [WILHELM] KOTARBINSKY (POLISH-UKRAINIAN 1849-1921), ‘At the Church Door, Venice’, oil on panel, 36 x 25 cm (14 1/8 x 9 7/8 in.), signed lower right, ‘W. Kotarbinsky’. Estimate $7,000 – $10,000.

Shapiro. Jun7, 2014.

Włodzimierz Terlikowski (1873 – 1951)

We Francji daje się zaobserwować rozsądek cenowy wobec prac Terlikowskiego. W Poslce być może panuje moda napędzana przez marszandów. Kupować należy rozsądnie we Francji i nie ulegać emocjom i presji w Polsce.

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Lot 98. Vladimir de TERLIKOWSKI (1873 – 1951) Bouquet de fleurs, 1924 Huiles ur toile, signée et datée en bas à gauche 46 x 61 cm. Estimation 800 € – 1 000 €.

Lemoine Guillaume. 23/05/14.