Lot 6198. Konarski, Jan
Winterlandschaft mit Pferdeschlitten im Abendlicht.
Öl auf Holz. 17,7 x 23,8 cm. Am Unterrand signiert “J. Konarski”.
Estimate 1,800 euro. Galerie Bassenge. 12/1/17

Lot 506. Tadeusz Kantor * (Wielopole 1915–1990 Krakow)
Hamburg, 1961, signed Kantor, signed on the reverse T. Kantor VI. 1961 Hamburg, on the reverse a fragment of an old typewritten label (illegible), oil on canvas, 81 x 100 cm, strip frame
Provenance:
Galerie H. Le Gendre, Paris (label on the reverse)
Marc Mara Spiegel Collection, Rome, until 1980
T. Spalvieri Collection, Rome and thence by inheritance
Private Collection, Italy
Exhibited:
Paris, solo exhibition, Galerie H. Le Gendre, 1961
The work of Tadeusz Kantor is beyond simple classification.
Born in Poland in 1915, Kantor studied art and stage design at the Krakow Academy of Fine Arts. He was a painter, set designer, theatre director and founder of the vanguard theatre group Cricot 2, whose legacy still lingers to this day.
Inspired by Constructivism, Dada, Art Informel and Surrealism, Kantor is one of the most famous representatives of Polish post-war avant-garde and known worldwide for his revolutionary theatrical performances. During the war and the Nazi occupation he was also active as a writer.
In 1947, Kantor went to Paris for the first time and was greatly interested in the work of the French abstract artists. From the late 1950s and early 1960s Kantor held several exhibitions: in Paris with Galerie H. Le Gendre, in Düsseldorf at the Kunsthalle, in Kassel at the second edition of documenta (II. documenta), in Gothenburg, in New York and in Venice during the 1960 Biennale.
The present painting comes from the collection of Marc Mara Spiegel, a fascinating figure of American philanthropy with Russian origins, who became a follower and enthusiastic collector of Kantor’s work after meeting him in Paris.
Estimate 15,000-20,000 euro. Dorotheum. 11/23/17

Lot 86. Mixed media artwork on canvas by Bronislaw Kierzkowski (Polish, 1924-1993), titled Textured Composition #404; executed with painter’s putty, oil, cord and canvas fragments; signed and titled to verso; with original Galerie Chalette label to verso; 51 1/2″ x 26″; framed
Starting bid $1,000. Estimate $2,000-3,000. I. M. Chait Aucioneers. 11/19/17
Lot 13. Henryk Siemiradzki 1843 – 1902
THE SWORD DANCE
signed in Latin l.l.
oil on canvas
40 by 73.5cm, 15 3/4 by 29in.
Exhibited: Warsaw, Towarzystwo Zachęty Sztuk Pięknych, Henryk Siemiradzki 1843–1902, 1939
Estimate 80,000-120,000 GBP. Sothebys. 11/28/17
The Sword Dance is one of Siemiradzki’s most recognisable compositions. The whereabouts of the original, and largest, version dating from 1879-80 is unknown. In 1881, the collector Kozma Soldatenkov commissioned another version (120 by 225cm), which after his death was given to the Rumyantsev Museum and is now in the collection of the State Tretyakov Gallery. Another, dating from 1887 and measuring 77 by 155cm was sold at Sotheby’s New York in 2011, establishing a new record for the artist at auction. It is interesting to note that the artist never executed exact copies and that each painting is distinct. In the present work, for example, the artist has varied the direction in which the dancer is facing.

Lot 197. Adam STYKA (1890-1959)
Ruelle animée dans la médina. Huile sur toile.
Signée en bas à gauche.
64,5 x 54 cm.
Estimate 5,000-6,000 euro. Maison R&C Commissaires-Priseurs Associés. 1/18/17


