Louis Marcoussis (Ludwik Kazimierz Władysław Markus) (1878 – 1941)

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markusis-151

Lot 151. Louis MARCOUSSIS 1878 – 1941
Les trois femmes (Etude pour Aurélia) – 1930
Crayon sur papier
Signé en bas à droite “marcousssis”
22,50 x 16,80 cm (8,86 x 6,61 in.)
Provenance : Atelier de l’artiste
Collection particulière, France

Estimate 4,000-6,000 euro. Artcurial. 10/18/16

Expositions : Cologne, Kölnischer Kunstverein, “Marcoussis”, 1960, n°50
Paris, Musée National d’Art Moderne, “Louis Marcoussis”, juillet-octobre 1964, n°114
Bibliographie : J.Lafranchis, “Marcoussis”, Les Editions du Temps, Paris, 1961, n°79, reproduit en noir et blanc p. 310
Commentaire : Pencil on paper; signed lower right

markoussis-152

Lot 152. Louis MARCOUSSIS 1878 – 1941
Place de la Concorde (Etude pour Aurélia) – 1930
Crayon sur papier
Signé en bas à gauche “marcoussis”
17,50 x 13,50 cm (6,89 x 5,31 in.)
Provenance : Atelier de l’artiste
Collection particulière, France
Expositions : Cologne, Kölnischer Kunstverein, “Marcoussis”, 1960, n°50
Paris, Musée National d’Art Moderne, “Louis Marcoussis”, juillet-octobre 1964, n°119
Bibliographie : J.Lafranchis, “Marcoussis”, Les Editions du Temps, Paris, 1961, n°84 p. 310, reproduit en noir et blanc p. 311
Commentaire : Pencil on paper; signed lower left

Estimate 4,000-6,000 euro. Artcurial. 10/18/16

marcoussis-153

Lot 153. Louis MARCOUSSIS 1878 – 1941
Asile des fous (Etude pour Aurélia) – 1930
Crayon sur papier
Signé en bas à gauche “marcoussis”
17,50 x 13,50 cm (6,89 x 5,31 in.)
Provenance : Atelier de l’artiste
Collection particulière, France
Expositions : Cologne, Kölnischer Kunstverein, “Marcoussis”, 1960, n°50
Paris, Musée National d’Art Moderne, “Louis Marcoussis”, juillet-octobre 1964, n°121
Bibliographie : J.Lafranchis, “Marcoussis”, Les Editions du Temps, Paris, 1961, n°86 p. 310, reproduit en noir et blanc p. 311
Commentaire : Pencil on paper; signed lower left

Estimate 4,000-6,000 euro. Artcurial. 10/18/16

marcoussis-154

Lot 154. Louis MARCOUSSIS 1878 – 1941
Le jardin (Etude pour Aurelia )
Crayon sur papier
Signé en bas à droite “marcoussis”
18 x 13,50 cm (7,09 x 5,31 in.)
Provenance : Atelier de l’artiste
Collection particulière, France
Expositions : Cologne, Kölnischer Kunstverein, “Marcoussis”, 1960, n°50
Paris, Musée National d’Art Moderne, “Louis Marcoussis”, juillet-octobre 1964, n°115

Bibliographie : J.Lafranchis, “Marcoussis”, Les Editions du Temps, Paris, 1961, n°80, reproduit en noir et blanc p. 310
Commentaire : Pencil on paper; signed lower right

Estimate 4,000-6,000 euro. Artcurial. 10/18/16

marcoussis-158

Lot 158. Louis MARCOUSSIS 1878 – 1941
Nature morte aux fruits – 1940
Crayons de couleur sur papier
Signé, daté et situé en bas à droite “marcoussis Cusset 1940”
18 x 23 cm (7,09 x 9,06 in.)
Provenance : Atelier de l’artiste
Collection particulire, France (depuis 1982)
Commentaire : Colored pencil on paper; signed, dated and located lower right

Estimate 4,000-6,000 euro. Artcurial. 10/18/16

Alicja Halicka (1895 – 1975)

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halicka

Lot 140. Alice HALICKA 1884 – 1975
Nature morte au violon – circa 1922
Huile sur toile. Signée en bas à gauche “A. Halicka”, contresignée et titrée au dos “A. HALICKA nature morte”. 146 x 114 cm (57,48 x 44,88 in.)
Commentaire : Oil on canvas; signed lower left, signed again and titled on the reverse

Estimate 25,000-30,000 euro. Artcurial. 10/18/16 (1629900)

Tadeusz Ajdukiewicz (1852 – 1916)

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38n161020_138_59193_1

Lot 1249. Tadeusz Ajdukiewicz (Wieliczka 1852–1916 Krakow)
Portrait of a society lady, half-length (probably soprano Jozefine Reszke), signed, dated Tad. Ajdukiewicz (1)879, oil on canvas, 132 x 87.5 cm, framed
Provenance:  continuous family ownership since 1892, Austria.
We are grateful to Izabela Wiercinska (curator at the National Museum, Warsaw) for her scientific assistance.
Tadeusz Ajdukiewicz was known in Warsaw as the portraitist of actresses and female singers. The lady represented here may be the singer Jozefine Reszke (1855–1891), who was a well-known soprano singer in Warsaw and who also had great success internationally. The singer performed in almost all notable opera houses, mostly in main roles. Highlights of her career included performances at the Parisian opera and as the prima donna in the Madrid Teatro Réal. She donated most of her earnings for her performances in Poland to philanthropic projects and was very popular amongst the people. The Krakow society, therefore, commissioned a portrait by Ajdukiewicz in her honour, which was then exhibited in the National Museum before her future husband, the manufacturer and banker Leopold Julian Kronenberg, exchanged another painting from his collection for it, keeping this portrait for his private collection in Warsaw.

Estimate 7,000-10,000 euro. Dorotheum. 10/20/16 (1615000)

Wawrzyniec Chorembalski (1888 – 1965)

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chorembalski

Dobry, przedwojenny pejzaż. Czemu tak tanio został wyceniony?

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1640/60: Wawrzyniec Chorembalski: An autumn forest. Signed and dated W. Chorembalski 1934. Oil on canvas. 44 x 64 cm.

Wawrzyniec Chorembalski, b. Zawichost 1888, d. Warsaw 1965

Estimate kr 2,000-3,000 (270-405 euro). Rasmussen. 10/03/16

Ignacy Zygmuntowicz (1875 – 1946/7)

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zygmuntowicz

Pamiątka z przedwojennej Warszawy z widokiem na kościół św. Aleksandra na Placu Trzech Krzyży, zniszczony przez Niemców. Wiele autorskich replik tej sceny jest znanych.

O plowę za drogo. Podobny obrazek sprzedano dwa dni temu w Doyle za $2,125 – też za drogo.

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Lot 4740. Zygmuntowicz, Ignacy: Frierender Kutscher. Öl/Leinwand, rechts unten signiert, auf Rahmenschild bezeichnet, verso bezeichnet und als “Warschau” betitelt. Wartender Kutscher unter einer Laterne, vor einem Gebäude mit hoher Kuppel, bei regnerischem Wetter. 55 x 65 cm, Silberstuckrahmen 69 x 79 cm. Polnischer Genremaler (1875 Warschau – 1947 Lodz), auch bekannt als Czeslaw Wasilewski.

Limit 1,800 euro. Wendl. 10/22/16

Abraham Weinbaum (1890 – 1943)

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weinbaum

Lot 136. Abraham WEINBAUM 1890 – 1943
L’artiste et sa femme
Huile sur toile . Signée en bas à droite “A. Weinbaum” ; 73 x 56,50 cm (28,74 x 22,24 in.). Commentaire : Oil on canvas; signed lower right

Estimate 3,000-4,000 euro. Artcurial. 10/18/16

Julian Bończa-Tomaszewski (1834 – 1920)

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boncza

Jedna z najbardziej znaczących prac Juliana Bończy-Tomaszewskiego. Poszukuję ‘Iwana Groźnego’ tego malarza, znanego z b/c fotografii.

Lot 34. PROPERTY OF A PRIVATE TRUST, RANCHO PALOS VERDES, CALIFORNIA

Julian Boncza Tomaszewski (Polish, 1834-1920)

Peter the Great visiting Cardinal Richelieu’s tomb in the Sorbonne, 1717
signed ‘J. BONCZA./ J. Tomaszewski’ (in Latin and Cyrillic, lower right); inscribed in French and German with title and artist’s name on old exhibition labels (on the stretcher)
oil on canvas
33 1/2 x 52 1/2in (85 x 133.5cm)

Born in St. Petersburg in 1834, Julian Boncza Tomaszewski (Бонча-Томашевский Юлий Осипович) trained at the St. Petersburg Academy of Art with Feodor Antonov Bruni and was first mentioned in 1856 for medals received for paintings based on the New Testament. In 1860 he left for Italy to complete his training and from 1861 until 1877 he lived in Paris, participating at the yearly Salons.

Boncza Tomaszewski considered himself Polish and adopted early on a Latin signature. Nevertheless, he was patronized by the Russian Imperial family, and his painting ‘The Three Rulers of Russia’ was acquired by the Emperor Alexander III and was part of the Imperial collection in the Winter Palace.

The present work depicts a historical scene of 3 June 1717, when the Russian Emperor Peter I, later known as Peter the Great, visited the Sorbonne as part of his extended European voyage. Legend has it that upon seeing the monument to Richelieu, whom the Emperor greatly admired, Peter embraced the statue and lamented that he would give half of his empire to the Cardinal, to instruct him on how to rule the remaining half.
The painting has been mentioned as having been exhibited in St. Petersburg but no concrete information is available.

Estimate $8,000-12,000. Bonhams (NY). 11/02/16 (1616250b)