Jan Chełmiński (1851 – 1925)

Chelminski
Jan Chełmiński. Große höfische Jagdgesellschaft, 1877

Lot 21. Jan Chelminski. Große höfische Jagdgesellschaft, 1877. Oil on canvas, relined. Lower left signed, dated and inscribed “München”. 86 x 185 cm (33.8 x 72.8 in). Verso of stretcher with various numbers and an illegible inscription. PROVENANCE: Private collection Rhineland-Palatinate. Estimate: € 20,000 – 30,000 ($ 23,400 – 35,100). Ketterer. 11/24/17. Sold 92, 500 euro ($104,524)

Essay

Jan Chelminski was born in Brzostów, Poland, in 1851 and had his first art lessons in the drawing class of Juliusz Kossak in Warsaw. In order to make a living he was working part-time as lithographer and retoucher at a photographic institute. In 1873 Chelminski relocated to Munich and studied at the Academy of Fine Arts at Alexander Strähuber and Alexander Wagner. In 1875 he was student of the acclaimed artist Josef von Brandt and a year later of Franz Adam. He was member of the Munich Artist Association from 1874 to 1883. As of around 1875 a circle of young, predominantly Polish artists formed around Josef von Brandt in Munich, the so-called Brandt-School. Apart from Jan Chelminski, other artists in the group were Alfred von Wierusz-Kowalski and Franz Roubaud. Historical illustrations of Cossack and Tatar warriors, depictions of horse markets and hunting scenes contributed to the artists‘ success for many years. Scenes from Napoleon‘s campaigns also were motifs popular with the Polish painters. As of around 1870 Maksymilian Gierymski revived the historic genre of coursing scenes with rococo costumes, over the following years his painter colleagues Wierusz-Kowalski and Chelminski adopted this trend. The large-format painting of a courtly hunt with coach and a pack of hounds offered here is particularly rich in detail. Following his years in Munich, Chelminski initially went to England in 1882 and then traveled throughout Europe for some time. As of 1884 he lived in New York for several years. In 1888 and1899 he made London his home again before he relocated to Paris where he was among the founding members of the Polish Literary Society in 1910. For some years he was also the society’s vice president. Chelminski was also active as translator of Polish literature into French. In 1915 the artist settled in New York, where he died in 1925. Important works by the artist can be found at, among others, the following museums: Kunsthalle, Bremen, National Gallery of Art, Dublin, Picture Gallery, Lwiw (Ukraine), Kósciuszko Foundation, New York, Museum Narodowy, Warsaw

Chelminski-frame
Jan Chełmiński. Große höfische Jagdgesellschaft, 1877

Władysław Bakałowicz (1833 – 1903)

Bakalowicz-Flowers

Lot 122. Ladislaus Bakalowicz

1833 – 1904

POLISH
A FLOWER MARKET AT LA MADELEINE, PARIS

signed Bakalowicz and inscribed Paris (lower right)
oil on canvas
32 by 59 3/4 in.
81.3 by 151.8 cm

Estimate $200,000-300,000. Sothebys. 11/21/17

La place de la Madeleine is named after the nineteenth century neoclassical church at the center of Paris. Since its consecration in 1845, its monumental steps have afforded one of the city’s most famous panoramas. While today La place de la Madeleine is most notable for its gourmet food shops, its famous flower market has attracted crowds since its establishment in 1832. One such flower stall, set below the massive Corinthian columns of the Madeleine, is depicted in Bakalowicz’s present work. Shelves full of various arranged bouquets and groups of vibrant potted plants draw the attention of fashionably dressed shoppers. Bakalowicz sets the scene in a low, long horizontal composition, allowing a series of vignettes to play out among the blooms: a couple’s quiet courtship at the left, the aggressive hand of a bargaining flower seller at center, and a smoking street urchin at the right. The present work has a kinship with the historical and literary paintings that first brought fame to Bakalowicz after his 1863 debut at the Paris Salon. Just as Bakalowicz had described each detail of sixteenth century lavish royal dress and the intricate social graces of courtly life with works like Henri III, His Favorites, and Bussy D’Ambrose Attending the Wedding of Saint Luc (sold in these rooms November 3, 1999, lot 90), A Flower Market at La Madeleine, Paris reveals the social norms of Paris via contemporary fashion and subtle gestures.

 

Lot sold on November 4, 2010 for $422,500 at Sothebys

Bakalowicz-flowers-frame

Aleksander Świeszewski (1839 – 1895)

Swieszewski

Lot 6177. Swieszewski, Aleksander
Sommerliche Vorgebirgslandschaft.

Öl auf Leinwand. 11,4 x 54,2 cm. Unten rechts signiert “A. Swieszewski”.

Die aufstrebende Kunstmetropole München bot vielen polnischen Künstlern im 19. Jahrhundert Zuflucht, die bedingt durch Repressalien im eigenen Land die künstlerische Freiheit andernorts suchten. Auch Swieszewski, der zunächst an der Warschauer Akademie lernte, wechselte 1863 an die Königliche Akademie der Bildenden Künste nach München und nahm Unterricht bei dem Landschaftsmaler Fitz Bamberger. Wie unser Bild eindrucksvoll zeigt, entwirft Swieszewski, geprägt von der Landschaftsauffassung seines Lehrers Bamberger und der Voralpenregion Münchens, Landschaften von atmosphärischer Klarheit, beeindruckender Tiefe und leuchtendem Kolorit.

Estimate 4,500 euro. Galerie Bassenge. 12/1/17