Lot 389. Moïse Kisling (1891-1953). Le Pêcheur, signed ‘Kisling’ (lower right), oil on canvas; 81.7 x 60.8 cm. Painted circa 1924. Provenance: Collection particulière, New York; vente, Parke-Bernet Galleries, Inc., New York, 25 janvier 1961, lot 102. Jewel Garlick, New York (acquis au cours de cette vente). Collection particulière, État-Unis (par descendance). Collection Nahmad (avant 2019). Vente, Christie’s, New York, 13 mai 2023, lot 772. Acquis au cours de cette vente par le propriétaire actuel. Literature: Das Zelt, juin 1924 (illustré). Der Querschnitt, mars 1925 (illustré). J. Dutourd, Kisling, Turin, 1995, vol. III, p. 101, no. XVIII (illustré en couleurs). Exhibited: Tokyo, Tokyo Metropolitan Teien Art Museum; Okazaki, Okazaki City Museum; Akita, Akita Museum of Art; Miyoshi, Okuda-Genso-Sayume Art Museum; Sapporo, Hokkaido Museum of Modern Art; Kagoshima, Kagoshima City Museum of Art et Kyoto, EKI Museum, Kisling, Grande figure de l’École de Paris, avril 2019-octobre 2020, p. 97, no. 76 (illustré en couleurs). Further details: Cette œuvre sera incluse au Tome IV et Additifs aux Tomes I, II et III du catalogue raisonné de l’œuvre de Moïse Kisling actuellement en préparation par Marc Ottavi.  Estimate €70,000 – 100,000. Christie’s. 10/23/26. Sold €70,000

Ten pewny siebie młody rybak z koszem na ramieniu wygląda, jakby wyszedł wprost z antycznego fryzu, a jednocześnie jest całkowicie współczesny: w pasiastej koszulce, białych szortach, boso, na tle morza i niskich wzgórz. Kisling namalował człowieka jak rzeźbę. Gładkie, niemal porcelanowe ciało, migdałowe oczy i stylizowana poza tworzą monumentalną figurę. Wokół niej kłębią się wibrujące błękity nieba i wody, a zielona łódź i drewniane pomosty dopowiadają południowy, nadmorski klimat.To obraz z czasów, gdy Kisling zyskiwał sławę. Powstał około 1924 roku i już wtedy był reprodukowany w prasie awangardowej.

W jednym płótnie jest wszystko, co ceni się u Kislinga: klasyczna harmonia, zmysłowy kolor i spokojna pewność rzemiosła. To rzadka okazja, żeby zobaczyć na rynku jego wczesną, w pełni dojrzałą figurę w pełnym świetle południa.

Lot 328.  Moïse KISLING (1891–1953). Flowers in a Blue Vase, circa 1938 Oil on canvas, signed lower left 55 x 38 cm Provenance: Marie Six Saint, then passed down to her granddaughter Josée Rasson Palaz, Hauts-de-France. Bibliography: To be included in “Volume IV and Addenda to Volumes I, II, and III” of the Catalogue Raisonné of the works of Moïse Kisling, currently being prepared by Marc Ottavi. Estimate €25,000 – 30,000. Mercier & Cie. 10/11/26. Sold €42,000

“Capturing the moment, preserving the fleeting radiance of beauty in color: this is the secret behind Kisling’s flower arrangements, of which he remains one of the most sensitive and inspired interpreters, transforming the fragility of flowers into a true celebration of light and color. “Marc Ottavi.

Komentarz Marca Ottavi winien wystarczyć

Lot 26. Moïse KISLING (1891–1953). The Cossack, 1915. Oil on canvas, signed, dated, and inscribed “To Mr. and Mrs. Gilon*” at the top. 46.5 x 55.5 cm (Re-stretched, some restoration). Provenance: Collection of Mr. Bedu, Paris Collection of Mr. and Mrs. Cormouls, Paris Maître Loudmer auction, December 19, 1985, lot 38 in the catalog. Bibliography: Jean Kisling, Kisling Volume II, Éditions Jean Kisling, Paris 1982, described and reproduced on page 104 under no. 11. * There is a portrait of Mr. Gilon by Kisling, dated 1913, in the collection of the Petit Palais in Geneva. Estimate €20,000 – 30,000. Thierry de Maigret. 07/01/26. Sold €18,000

Olej Mojżesza Kisling z 1915 roku z upiornym Kozakiem, słono wyceniony. Czy to arcydzieło jest rzeczywiście warte €20,000? Przybliżenie postaci pozbawia złudzeń.

Lot 78. Moïse KISLING (Krakow 1891 – Sanary sur Mer 1953). Young Provencal. Realized in 1948. Oil on canvas, lined 41 x 33 cm. Signed, localized and dated upper right “Kisling Sanary 1948”. On the back of the stretcher, the label with the number 1019 (missing edge). Estimate €25,000 – 35,000. Millon. 06/30/26

In 1948, Kisling moved to Sanary for a long vacation, where he portrayed local young people, returning to the popular models he had posed in Paris since 1918.

This work will be included in “Volume IV et Additifs aux Tomes I, II et III” of the Catalogue Raisonné de l’Œuvre de Moïse Kisling currently being prepared by Marc Ottavi. A certificate from Mr. Marc Ottavi dated June 4, 2026 will be given to the buyer. Provenance : Private collection, France Bibliography: Jean Kisling, Kisling 1891-1953, Text by Henri Troyat, Catalogue raisonné, Tome 2, Edition Jean Kisling, Italy,1982, reproduced under number 232 p.159. Estimate €25,000 – 35,000. Millon. 06/30/26

Obecnie można rozważyć zakup pracy Mojżesza Kisling lecz jedynie z certyfikatem Marca Ottavi. Proszę sprawdzić w opisach. Ciekawa jest historia sygnowania portretu Brunetki przez żonę artysty.

Lot 15. Moise Kisling 1891-1953 (Polish, French). The Brunette, circa 1938, oil on canvas, 24×19.50 cm , bears a signature lower right, added by the artist’s widow after his death. Provenance: Guy Kisling, Sanary. Other Notes: Will be included in “Volume IV and Addenda to Volumes I, II and III” of the Catalogue Raisonnי of the works of Moןse Kisling, currently being prepared by Mr. Marc Ottavi. Estimate $18,000 – $22,000. Matsart. 06/15/26

Lot 878. Moïse Kisling(France, 1891-1953). Nature morte à la coupe de fruits (Still life with bowl of fruits). Signed Kisling. Countersigned and annoted “Paris” on the back. Executed circa 1917. Oil on canvas 73 x 54 cm. A certificate issued by Marc Ottavi, Paris, 2026 is included. This work will be included in the “Volume IV and Additions to Volumes I, II and III” of the Catalogue Raisonné of the Work of Moïse Kisling currently in preparation by Marc Ottavi. Provenance: The collection of businessman Joseph Gruss (1903-1993), New York, acquired directly from the artist. A Swedish Private Collection, presented as a gift from the above. Estimate 400,000 – 600,000 SEK (ca €36,000 – 54,000). Bukowski’s. 05/21/26

Oprócz tej refreshing wczesnej martwej natury, na rynku aukcyjnym widzę kilka innych prac Mojżesza Kislinga. Są to jednak powielane jego prace, np. perfekcyjne namalowane Mimozy w wazonie, które niektórzy traktują jako rzemiosło.

Lot 570. Moïse Kisling 1891 – 1953. Jeune marin, Raoul Michaux, signed Kisling (lower left), oil on canvas; 92.1 by 64.8 cm. Executed in 1927. To be included in the Volume IV et Additifs aux Tomes I, II, et III of the Catalogue Raisonné de l’Oeuvre de Moïse Kisling currently being prepared by Jean Kisling and Marc Ottavi. Provenance: Robert and Marie Michaux, Paris (acquired directly from the artist); Marie Michaux (née Avezac), Paris (acquired by descent from the above); Albert Ades, Paris; Musée Galliéra, Paris, 9 March 1967, lot 45; Crane Kalman Gallery, London; Terence Kennedy, London (acquired from the above in May 1967); The Redfern Gallery, London; Steve Banks Fine Arts, San Francisco; Private Collection, Texas (acquired from the above in 2003); Christie’s, New York, 6 November 2014, lot 369; Acquired at the above sale by the present owner. Exhibited: London, Crane Kalman Gallery, Paintings of Merit, 1967, no. 15, pl. X, illustrated (titled Jeune Marin). Literature: Jean Kisling, Kisling 1891-1953, Turin, 1971, vol. I, no. 86, p. 161, illustrated. Estimate $70,000 – 100,000. Sotheby’s. 05/20/26. Sold $100,000

Na aukcji w Sotheby’s, tej samej na któej będzie licytowany obraz Anny Güntner, znalazł się olej Mojżesza Kislinga z końca lat 20-tych. Budzi respekt kilometrowa proweniecja tej pracy jak również historia wystawiennicza oraz opis w literaturze. A na aukcjach w Polsce zaczynają pojawiać się masowo obrazy tego malarza, zupełnie nieobecne jeszcze 30 lat temu.

Lot 146. Moïse Kisling 1891 – 1953. Nu posant devant un tableau, signed Kisling (upper left), oil on canvas, 73,2 x 54,2 cm; 28⅞ x 21⅜ in. Executed in 1928. This work will be included in the forthcoming Volume IV et Additifs aux Tomes I, II et III of the Moïse Kisling catalogue raisonné currently being prepared by Marc Ottavi and formerly under the direction of the late Jean Kisling. Provenance: Private collection, Strasbourg, Galerie Pierre Lévy, Paris, Acquired from the above by the present owner. Literature: Jean Kisling and Jean Dutourd, Kisling 1891-1953, vol. III, Turin, 1995, no. 61, p. 377, illustrated. Estimate €100,000 – 150,000. Sothebys’s. 04/17/26. Sold €150,000

Kilka figuratywnych obrazów Mojżesza Kislinga z nadchodzących aukcji. Nu posant devant un tableau wygląda na nejlepszy.

Lot 368. Moise Kisling (1891-1953). Jeune fille au chapeau fleuri, signed, dated and inscribed ‘Kisling Sanary 1948’ (upper left), oil on canvas, 16 ¼ x 13 1⁄8 in. Painted in Sanary in 1948. Provenance: Collection particulière, Paris.Vente, Sotheby’s, Londres, 25 juin 1996, lot 219. Galerie Nichido, Paris et Tokyo. Vente, K Auction, Séoul, 25 novembre 2020, lot 46. Acquis au cours de cette vente par le propriétaire actuel. Literature: J. Kisling et A. Salmon, Kisling, Paris, 2008, vol. IV, p. 167, no. LVIII (illustré). Further details: Cette œuvre sera incluse au Tome IV et Additifs aux Tomes I, II et III du catalogue raisonné de l’œuvre de Moïse Kisling actuellement en préparation par Marc Ottavi. Estimate €45,000 – 65,000. Chrstie’s. 04/17/26. sOLD €45,000

Moïse KISLING (1891-1953). Jeune fille, 1929. Huile sur toile, signée en bas à gauche. 55 x 38 cm. Etiquette de la Galerie Charpentier au verso. Bibliographie : Jean Kisling, Kisling, Tome III, Ed. Jean Kisling, 1995. Décrit et reproduit sous le n°104, p.144. Estimate €40,000 – 50,000. BOISSINOT TAILLIEZ POITIER. 04/25/26

Lot 37. Moïse KISLING (Krakow 1891 – Sanary sur Mer 1953). Young redheaded woman. Circa 1940. Oil on canvas 41 x 33 cm. Signed upper right “Kisling”. Inscription faded lower right This work will be included in “Volume IV et Additifs aux Tomes I, II et III” of the Catalogue Raisonné de l’Œuvre de Moïse Kisling currently being prepared by Marc Ottavi. A certificate from Mr. Marc Ottavi dated May 20, 2025 will be given to the buyer. Estimate €40,000 – 60,000. Millon. 04/14/26. Sold €43,000

Lot 120. Moïse KISLING Portrait of a Child – circa 1925. Oil on canvas. Signed upper right “Kisling”. 55 x 38 cm Provenance: Former Hilaire Delfini collection, prefect of Isère between 1921 and 1925, then of Bouches du Rhône from 1925 to 1930, close friend of Andry-Farcy, curator of the Grenoble museum between 1919 and 1949. To the present owners by descent Bibliography: This work will be included in Volume IV and added to Volumes I, II and III of the Catalogue Raisonné de l’Œuvre de Moïse Kisling currently being prepared by Mr. Marc Ottavi. Starting €30,000. Artcurial. 04/17/26

Lot 47. Moïse KISLING (Poland – France / 1891-1953) – Collection Jacques Thalheimer. Young boy with yarmulke, circa 1922 .Oil on canvas. Signed ‘Kisling’ (lower right). As is, missing. 73 x 54 cm; with frame 93 x 74 cm. Provenance: – Jacques Thalheimer (1890-1975), Paris, circa 1925 (acquired from the artist, in 1925, according to J. Thalheimer’s personal register, no. 31). – Then by descent to the present owner. This work will be included in “Volume IV et Additifs aux Tomes I, II et III” of the Catalogue Raisonné de l’OEuvre de Moïse Kisling currently being prepared by Marc Ottavi. Note: –

The circular ink stamp ‘BUNDESDENKMALAMT WIEN’ refers to a shipment of the work to Vienna, Austria in 1925-1926, probably as part of an exhibition or publication. Moïse Kisling himself wrote to Jacques Thalheimer on February 18, 1926 to inform him that the Polish publisher J. Mortkowiez in Mazowiecka Street 12 had borrowed 5 paintings and was to bring them back to Vienna himself. The paintings remained in Vienna with a friend of Kisling’s, Dr. Roff [?], director of the Wiener Kunstdruck-Gesellschaft Wien Parkgasse, and then returned to Paris via BUNDESDENKMALAMT control, hence the origin of the stamp on the frame of the work.

Themes related to Judaism are relatively rare in Moïse Kisling’s work. Rather, our work is part of a series of portraits inspired by the street models the artist encountered in the Montparnasse district, such as flower sellers and newspaper criers. As Jacques Guenne noted in L’Art Vivant in 1925, these portraits are a frequent feature of the artist’s work: “Kisling also focused on frail beings, the poor and children. Who doesn’t know these portraits of orphans, beggars, all those works that Kisling was able to recapture the tragedy of certain popular images. As Kisling himself says: “A poor, unfortunate child saddens me; I paint him with the feeling he inspires”. Estimate €30,000 – 50,000. Osenat. 03/29/26. Sold €27,000

Bardzo dobrze udokumentowana jest proweniecja tego obrazu Mojżesza Kislinga. Praca znajdzie się w IV tomie wszystkich prac tego artysty pod redakacją Marca Ottaviego. Mamy dodatkowy polski wątek (Mortkowicz)

Lot 15. Moise Kisling 1891-1953 (Polish, French). Bouquet de marguerites et d’anemones sur un entablement, c. 1938, oil on canvas, 55×38 cm, signed upper right.Provenance: Howard Beilin, New York. Private collection, Japon. Sale: Sotheby’s, Londres, 27 February 2019, lot 255. Sale: Hampel Fine Art Auctions, Munich, 22 septembre 2022, lot 728. Private collection, Europe. Literature: Jean Kisling, Kisling, 1891-1953, Paris, 1982, vol. II, no. 84, (illustrated p. 211). Other Notes: This work will be included in Volume IV and Additives to Tomes I, II, and III of the Catalogue Raisonne of the Works of Moise Kisling currently being prepared by Marc Ottavi. Estimate: $50,000 – $70,000. Matsart. 01/26/26

Ładna martwa natura Mojżesza Kislinga a w dodatku autentyczność z potwierdzeniem Marca Ottavi. Pozostaje ją jedynie kupić