Rysunek wygląda na pracę Alicji Hohermann. Fotografia bardzo słaba by coś więcej dodać. Stosunkowo wyskoka wycena jak na rysunek Hohermann. Artystka została zamordowana przez Niemców.
Lot 235. HOHERMANN Alice (1982-1943). “Deux jeunes femmes“. Mine de plomb signée en bas à droite et datée 1942 – 29 x 21, 5 cm. Estimation 800 – 1 000 €. Maître Olivier LASSERON LASSERON et Associés. 02/10/22
Karol (Karl) Witkowski. Boy and Girl with Christmas Tree
Dom aukcyjny podał bardzo precyzyjny życiorys artysty, byłego ucznia szkoły Jana Matejki. Malarz znany w USA głównie z rodzajowych prac przedstawiających głównie dzieci.
Lot 158. Karol Dominik Witkowski (New Jersey, Polish, 1860 – 1910). Boy and Girl with Christmas Tree, oil on canvas, 28 x 20 inches / 71 x 50 cm. SIGNATURE: lower right. Estimate $5,250 – $6,750. Starting $3,200. Broward Auction Gallery. 04/17/22
Karol (Karl) D. Witkowski (16 August 1860, Yazlovets, now Chortkiv Raion – 17 May 1910) was a Polish-American portraitist and genre painter, better known in the US as Karl Witkowski. He painted scenes of contemporary daily life in America. Karol Dominik Witkowski was born to a Polish family in Jazlowiec (Jaslowiec), near Buchach, Czortkow (Podole, Poland, now Ukraine). As young boy he showed unusual talent in making drawings and his parents sent him to school in Chortkiv (12 miles from Yazlovets). In 1879 he enlisted in the Austrian Army (in 19th century southern Poland was occupied by Austria and named Galicia), where he gained popularity by making portraits of his fellow soldiers and commanding officers, including a portrait of General Duke William of Wurttemberg and portrait of Lieutenant Field Marshal Emanuel Salomon Friedberg-Mirohorsky (this army officer also was a genre painter, it is possible, why later in USA Karl Witkowski became genre painter). In 1880 Witkowski left the army and moved to Krakow, where from 1881 to 1883 he studied arts at the Academy of Fine Arts under the directorship of Jan Matejko. Witkowski also studied arts in Munich under Karl von Piloty. Around 1884 Witkowski emigrated from Poland, like many others, and went to America, where he stayed for three years. During that time he created his first famous paintings of young people. In 1887 he left America and arrived in France. In Paris Witkowski studied at the Julian Academy (1887-1888) and continued to work on paintings and portraits. Most of his paintings done there he signed with the added initial of author’s second name (K.D. Witkowski). Some of Witkowski’s painting done in France: Portrait de Tomas Milatycki, Mother with Children.In 1889 Witkowski returned to America and stayed for over 20 years until his death. During those years, besides portraits of the elite in New York City and Newark areas, he made over 200 paintings of young people (mostly newsboys and shoeshine boys), their daily life, at work and at play, often with their pets. The style of these paintings recalls the style of John George Brown to some extent. Most of these paintings were signed “K. Witkowski”. From 1891 until his death his paintings were available for sale at various auctions and picture galleries of New York City area. For some time he had his own studio in Brooklyn, New York (1903).Upon his arrival in the United States in 1884, Witkowski lived in New York City (from 1884 to 1887 and again from 1889 to 1891), later moving to Newark in 1891, and then to Irvington, South Orange, and Vailsburg, Newark. Witkowski died on May 17, 1910, in Newark, from blood poisoning, survived by his wife. Witkowski died at the height of his artistic powers. In 1909 he registered 8 paintings through the United States Copyright Office and in just a few months of 1910 he created and registered 14 pieces more, also in the last months of his life, he exhibited his work at the State Fair of Texas and galleries of New York City. Karl Witkowski painted the elite in Newark and his skills as a portraitist to the wealthy were always in demand. But ironically it was his paintings of newsboys and street urchins in the same city that brought him lasting recognition. His paintings of children are remarkable for their odd combination of sentimentalism and realism. Karl Witkowski as an eminent European artist gave an entirely new study in American newsboy life, his paintings have a characteristic humor and brightness, they are serious or humorous. Karol Witkowski has exhibited his paintings in New York several times each year between 1891 and 1910. His paintings have been exhibited at auctions and galleries of New York, such as: Theodore Stewart’s Sallon, Henry C. Merry Auction, Schenck Art Gallery, P. H. McMahon Auction, WM. B. Norman Auction, James P. Silo Auction, Rohlf’s Gallery, Mathews’s Art Galleries, John Fell O’Brien Art Galleries, Woehr Brothers Auction, Woehr Bros Gallery, John J. Pigot Galleries & Loeser Art Galleries.
Z obserwacji rynku widzę, że dominują głównie martwe natury, kwiaty w wazonach, oraz portrety kobiet. Większoć prac Czesława Zawadzińskiego ląduję potem w Polsce i tam bez entuzjazmu są rozprowadzane.
Lot 39. Czeslaw ZAWADZINSKI (1878-1936) Peintre d’origine polonaise. Jeune femme au drapé. Huile sur panneau. Signé en bas à droite. 65 x 81 cm. Estimation 200 – 300 €. Hôtel des ventes de Toulon-Côte d’Azur. 02/17/22
Paweł Merwart. Deux femmes se reposant, un moulin au loin
Nieduży olej Pawła Merwarta na desce. Deska pęknięta i stąd może taka mizerna wycena i niska cena sprzedaży.
Lot 214. ECOLE fin XIXème siècle “Deux femmes se reposant, un moulin au loin” Huile sur panneau, signée en bas à droite P. MERWART. (fente) 27 x 41 cm. Estimation 60 – 80 € . Emeraunde Encheres Saint -Malo. 02/05/22. Sold 110 euro
Lot 1129. Emil Lindemann (Polish 1864 – 1945). A smiling Polish peasant woman in saffron scarf, standing barefoot before a doorway while holding a young child on her hip, oil on board, signed, in gilt egg-and-dart slip and ebonised cavetto moulded frame under glass, inscribed verso stating it was purchased in Poland in 1927, 26 cm x 17 cm excluding frame. Estimate 100 – 200 GBP. Laidlaw Auctioneers & Valuers. 02/04-05/22. Sold 185 GBP
Artysta nieco niedoceniany w Polsce, choć dość często spotykany tam na aukcjach. Ceny osiągnięte na aukcji w UK są żenująco niskie. Dla usprawiedliwienia, te dwie małe prace były słabo promowane. Artysta malował o niebo lepsze prace, choć ten szkic wieśniaczki z dzieckiem uważam za udany.
Emil Lindeman. A young peasant woman
Lot 1130. Emil Lindemann (Polish 1864 – 1945). A young peasant woman sat barefoot on the banks of a pond with white geese, oil on board, signed, in gilt card mount and frame under glass, 21 cm x 32 cm excluding mount and frame. Estimate 100 – 200 GBP. Laidlaw Auctioneers & Valuers. 02/04-05/22. Sold 240 GBP
Lot 65. Jezry Duda-Gracz 1941-2044 (Polish). Woman, 1966, oil on canvas mounted on board, h:90 w:46 cm, signed and dated center right. Estimate 28,000 – 30,000 euro. Matsart. 02/14/22
Jakże nie lubić tej miękkiej kreski i tych tematów.
Lot 155. Maja Berezouska (Polish, 1893-1978). The lovers, signed and dated ‘Maja 55’ l.r., pen and ink and watercolour 24 x 31.5cm. Estimate 200 – 300 GBP. Sworders. 02/04/22
Konarski ale słaby Konarski. W dodatku nie wiadomo, który to Konarski: J. Konarski czy też, jak widzimy na obrazku, F. Konarski. Może było dwóch Konarskich, w dodatku byli to bracia? Czy warto ten wątek rozwinąć? A może był to rzeczywiście Wierusz-Kowalski skoro tacy skrupulatni Niemcy (niemiecka dokładnośc i precyzja) tak twierdzą? Wiele, wiele pytań i wiele wątków do rozwikłania. Póki co, na pewno warto kupić tego konia z wielką głową by go z zyskiem sprzedać w Polsce. Tam bowiem Sopocki Dom Aukcyjny wystawia tego typu prace z wyceną do 70,000 złotych (sofa size), choć tafiają się tam w katalogu mniejsze wymiarami, na cieńszy portfel, z ceną wyjściową jedynie 20,000 złotych. Zysk z każdego Konarskiego obecnie jest pewny!
Lot 124. Konarski, Josef (1849-1915), eigentlich Alfred von Wierusz-Kowalski) “Junge Bäuerin auf Pferdegespann), Öl/H., sign. u.r., 16,5×22,5 cm, Rahmen. Opening 900 euro. Satow. 02/12/22
Do tej pory miałem przyjemnośc poznania jedynie pełnych słońca, kolorowych pejzaży Olgi Słomczyńskiej z południa Francji. Obecnie, pierwszy portret jej ręki. Przyznam, że preferuję jej pejzaże.
Lot 93. Olga SLOMSZYNSYA dite SLOM (1881-1941). Portrait de femme. Huile sur toile signé en bas à droite. 97 x 73 cm. Estimate 200 – 300 euro. Blanchet et Associes. 02/11/22