Ta praca Fangora z 1963
roku (!) będzie licytowana dopiero w grudniu 2019. Można zatem planować i z wyprzedzeniem
już rozpocząć zbieranie funduszy na ten prezent pod choinkę. Zgadzam się
zupełnie z tym co Fangor powiedział a Ketterer Kunst zacytował: “Perception
of art relates to magic and illusion.” [Wojciech Fangor, 2015,
Contemporary Lynx Magazine 1 (3)]. To jest dokładnie tak odkąd powstało
malarstwo trójwymiarowe.
Upolityczniona “Czeczenia’ Sasnala nie wytrzymała wczoraj próby czasu. Myślę, jednak że z ten obraz Fangora obroni sie bardzo dobrze… na razie.
Lot 119000715. Wojciech Fangor. # 4. 1963.Öl auf Leinwand. Verso auf der Leinwand signiert, datiert und betitelt. 160 x 129 cm (62,9 x 50,7 in) . [CH]. PROVENIENZ: Galerie Springer, Berlin (1967). Privatsammlung Süddeutschland. AUSSTELLUNG: Wojciech Fangor, Dom Galerie, Köln, 9.9.-22.10.1966 (verso auf dem Keilrahmen mit dem Etikett). Estimate: € 150,000 – 200,000 ($ 165,000 – 220,000). Ketterer Kunst. 12/07/19. Sold 400,000 euro
Lot 7. Wojciech Fangor (Polish/American, 1922-2015). M38, 1969, signed, titled and dated ‘FANGOR M38 1969’ (on the reverse), oil on canvas, 22 x 22 in., 55.9 x 55.9 cm. Provenance: private collection, Maryland (a gift from the artist), thence by descent to the present owner. Estimate $30,000-50,000. Bonhams. 05/15/19. Sold $137,750 (with buyer’s premium)
Nie jestem kolekcjonerem prac Wojciecha Fangora. Również nie potrafię zrozumieć tak wielkiego zainteresowania jego op-art-em ale szanuję tych, którzy kolekcjonują jego wirujące koła oraz falujące kurtyny i inne podobne. To jest wyższa szkoła jazdy do jakiej nie dorosłem. Nagłe zainteresowanie jego pracami rozpoczęło się jeszcze za życia artysty, szacuję że było to około 2000 roku. Jeszcze po 1990 roku jego prace byly sprzedawane na zachodzie po około $1,000 (M14, 91 x 91 cm, sprzedane w Christie’s za $1,035). Słyszałem, że sam Fangor nie rozumiał skąd się bierze ten gwałtowny wzrost cen. Jest jednak faktem, że ceny rosną i mogą rosnąć bo wieść niesie, że to jest bardzo dobra inwestycja. Tak jak długo będą chętni do takiej inwestycji to ceny będą rosły. Jak już się rynek nasyci to ceny ustabilizują się a potem będą spadały bo przyjdzie inna moda. Wartość monetarna sztuki to skomplikowana sprawa i jest wypadkową wielu czynników wśród których aktualna moda gra wielką rolę. Obawiam się, że gdy zimny kompres zacznie działać i gorączka mnie, ci mniej sprytni będą zmuszeni hipnotyzować się widokiem do końca swoich dni.
Przedstawiam 13 prac Wojciecha jakie były licytowane w 2018/19. Długa to lista.Wydaje mi sie, że żadna z nich jeszcze nie znalazła się wtórnie na aukcji w Polsce.
Wojciech Fangor. M67, 1970
Lot 9. WOJCIECH FANGOR (1922-2015). M67, signed, titled and dated ‘FANGOR M67 1970’ (on the reverse), oil on canvas, 40 x 40 in. (101.6 x 101.6 cm.). Painted in 1970. Estimate $100,000-150,000. Christie’s. 12/06/18. Sold $237,500
Wojciech Fangor.
Lot 1. WOJCIECH FANGOR (1922-2015). Untitled, signed and dated ‘FANGOR 1975’ (on the reverse), oil on two joined canvases, 60 x 60 x 4 in. (152.4 x 152.4 x 10.2 cm.). Painted in 1975. Estimate $40,000-60,000. Christie’s. 12/06/18. Sold $187,500
Wojciech Fangor. M29, 1970
Lot 761. Wojciech Fangor (1922–2015). M 29, 1970, signed, titled and dated ‘FANGOR M29 1970’ (on the reverse), oil on canvas, 56 1/8 x 56 1/8 in. (142.5 x 142.5 cm.). Painted in 1970. Provenance: Arthur and Madeleine Chalette Lejwa, New York, Bequest from the above to the present owner, 1999. Estimate $80,000-120,000. Christie’s. 11/16/18. Sold $225,000
Wojciech Fangor. M25, 1970
Lot 759. Wojciech Fangor (1922–2015). M 25 1970, signed, titled and dated ‘FANGOR M25 1970’ (on the reverse), oil on canvas, 68 x 80 in. (172.7 x 203.2 cm.). Painted in 1970. Provenance: Arthur and Madeleine Chalette Lejwa, New York, Bequest from the above to the present owner, 1999. Estimate $150,000-200,000. Christie’s. 11/16/18. Sold $444,500
Wojciech Fangor. M38, 1968
Lot 36. Wojciech Fangor (Polish/American, 1922-2015), M38, 1968, signed, titled and dated ‘FANGOR, M38 1968’ (on the reverse), oil on canvas, in the artist’s frame; 30 x 24 in. 76.2 x 61 cm. Private Collection, Maryland (a gift from the artist), Thence by descent to the present owner. Estimate $30,000-50,000. Bonhams. 11/14/18. Sold $43,750
Wojciech Fangor. M34, 1969
Lot 409. Fangor. M34, 1969, oil on canvas; signed, titled, dated ‘1969,’ and inscribed on the reverse, 40 by 40 in. (101.6 by 101.6 cm.). Provenance: Private Collection (acquired directly from the artist in 1969), thence by descent to the present owner. Estimate Est: $100,000 – $150,000. Sotheby’s. 09/28/18. Not sold
Wojciech Fangor. M24, 1967
Lot 221. Wojciech Fangor (1922-2015). M 24, signed, titled and dated ‘FANGOR M 24 1967’ (on the reverse), oil on canvas, 39 ½ x 39 ½ in. (100.3 x 100.3 cm.). Painted in 1967. Provenance:Galerie Chalette, New York, Anon. sale; Sotheby’s, New York, 10 September 2008, lot 164, Acquired at the above sale by the present owner. Estimate $90,000-120,000. Christie’s. 09/27/18. Sold $250,000
Wojciech Fangor. M60, 1968
Lot 28. Wojciech Fangor (Polish/American, 1922-2015). M60,1968, signed, titled and dated 1968 on the reverse, oil on canvas, 56 by 56 cm. 22 1/16 by 22 1/16 in. Estimate £ 65,000 – 85,000 (US$ 87,000 – 110,000). Provenance: Private Collection, Maryland (gift from the artist); Thence by descent to the present owner. Bonhams. 06/27/18. Sold for £ 143,750 (US$ 174,946) inc. premium
Wojciech Fangor. M90, 1967
Lot 29. Wojciech Fangor (Polish/American, 1922-2015). M90, 1967, signed, titled and dated 1967 on the reverse, oil on canvas, 61.2 by 61.2 cm, 24 1/8 by 24 1/8 in. Provenance: Private Collection, Maryland (gift from the artist), Thence by descent to the present owner. Estimate £ 65,000 – 85,000 (US$ 87,000 – 110,000). Bonhams. 06/27/18. Sold for £ 137,500 (US$ 167,340) inc. premium
Wojciech Fangor. B99, 1965
118001037. Wojciech Fangor. B99, 1965. Oil on canvas. Verso signed, dated and titled. 60 x 60 cm (23.6 x 23.6 in). PROVENANCE: Galerie Springer, Berlin (with gallery label on stretcher). Dom Galerie, Cologne (with gallery label on stretcher). Private collection Southern Germany (acquired directly from aforementioned). Estimate: € 30,000 – 50,000 ($ 36,000 – 60,000). Ketterer. 06/09/18. Sold € 200,000 / $ 220.000
Wojciech Fangor. M77, 1968
Lot 20. Wojciech Fangor (Polish/American, 1922-2015). M77, 1968, signed, titled, inscribed and dated ‘FANGOR M77 1968’ (on the reverse), oil on canvas, 50 1/8 x 50 3/8 in., 127.3 x 127.9 cm. Provenance: Irving Galleries, Palm Beach, Acquired from the above by the previous owner in 1977. Thence by descent to the present owner. Estimate $200,000-300,000. Bonhams. 05/16/18. Sold for US$ 492,500 inc. premium.
Wojciech Fangor.Kreisformation, 1967
A to jest jedynie kolorowa aquatinta z roku 1967, wykonana w nakładzie 60 egzemplarzy. Odbitka nr 10 została sprzedana w Szwajcarii w 2018 roku za CHF 4,375
Lot 3644. WOJCIECH FANGOR (1922 Warsaw 2015). Kreisformation. 1967. Colour aquatint. 10/60. Signed and dated in pencil lower right: Fangor 1967. Image 34.5 x 34.5 cm on wove paper 61 x 51 cm. With the blindstamp: N.Y.C.W. Estimate CHF 1 500 / 2 000; € 1 250 / 1 670. Koller. 06/30/18. Sold CHF 4,375
Lot 38. Wojciech Fangor (Polish/American, 1922-2015). NJ15 (Diptych), 1964 Each: signed, titled and dated 1964 on the reverse; oil on canvas, in two parts. Overall: 243.8 by 243.8 cm. 96 by 96 in. Estimate £140,000 – 180,000 (US$ 180,000 – 230,000). 03/08/17. Sold for 413,000 GBP (ca $501.600)
Provenance
Galerie Chalette, New York (no. L 5000X)
Acquired directly from the above by the previous owner in 1971
Thence by descent to the present owner
Wojciech Fangor.M5, 1970
Lot 39. Wojciech Fangor (Polish/American, 1922-2015). M5, 1970, signed, titled, and dated 1970 on the reverse; oil on canvas, 121.9 by 121.9 cm. 48 by 48 in. Estimate £60,000 – 80,000 (US$ 75,000 – 100,000). Bonhams. 03/08/17. Sold for 197,000 GBP (ca $240,000)
Provenance
Galerie Chalette, New York (no. L 4062)
Acquired directly from the above by the previous owner in 1970
Thence by descent to the present owner
Lot 135. Fangor, Wojciech Warschau 1922 – 2015. »B 101“. 1966. Öl auf Leinwand. 100 x 100cm. Signiert, betitelt und datiert verso oben rechts: FANGOR, B 101 1966. Rahmen. Estimate 80,000-120,000 euro. Van Ham. 11/30/16 (16130000)
Wczesna praca Juliana Stańczaka i to z jaką proweniencją!
Lot 0530. Julian Stanczak (American/Polish, b. 1928)
Migrating Shadows, 1962; Poly/tempera on canvas (framed); 68 1/2″ x 53 1/8″; Provenance: Martha Jackson Gallery, New York (label on verso); Private Collection, New Jersey; Note: Borrowed by the Smithsonian to be exhibited in the West Wing of the White House in Washington, D.C.; Exhibited in Vice President Hubert Humphrey’s office in 1966.
Lot 93: Wojciech Fangor (1922-2015) – E 44. Estimate: £50,000 – £70,000. Dreweatts & Bloomsbury. 07/13/16 (111600)
Description: -10 Oil on canvas Signed, titled and dated 1966 on the reverse 71 x 71 cm. (27 7/8 x 27 7/8 in) Wojciech Fangor was one of the most influential artists to emerge from post-war Poland. His distinctive blurred circles and cloud-like formations came to the notice of an American audience in the 1960s when it was included in 15 Polish Painters (1961) at the Museum of Modern Art, New York and then four years later alongside Bridget Riley and Frank Stella in the seminal Op-Art exhibition The Responsive Eye , also at MoMa. These vibrant and densely coloured compositions were reminiscent of Color Field painting although in truth their inspiration was significantly different. Whilst Color Field artists such as Robert Motherwell, Frank Stella and Barnett Newman were primarily concerned with the application of colour on the flat picture plane, Fangor took his cue from an exploration of architecture. In the 1950s he had collaborated with an architect friend, Stanislaw Zamecznik on ideas about space, colour and public interaction.This culminated in an exhibition in 1958 entitled Study for a Space considered to one of the first environmental exhibitions.Fangor was interested in the effect that the painting had on the space between the viewer and the canvas and the way in which this changed the viewer s perception of their environment. In the later 1960s, after emigrating to the United States, he became a key figure in the Op-Art movement continuing to develop his theories on light and colour. In 1970, he was the first Polish artist to have a solo show at the Guggenheim Museum in New York. Between 1965 and 1966, prior to leaving for the United States, Fangor came to teach at Corsham Court in Wiltshire and the present painting dates from him time there. It is a dazzling example of a painter at the height of his powers with the colours merging enticingly before the viewer s eyes. At once, somewhat unsettling to the vision, the simplicity and purity of form produce an almost hypnotic effect. Fangor was born to a wealthy family in Warsaw in 1922 and took private lessons from artists Tadeusz Pruszkowski and Felicjan Kowarski. After the end of the Second World War, when social realism became the official style of Communist Poland, Fangor produced a number of political paintings which have since become regarded as some of the most canonical examples of Polish social realism. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44. Julian Stanczak, American (1928 – ). Title: Trespass. Year: 1980. Medium: Silkscreen, signed and numbered in pencil. Edition: 175. Size: 27 x 22.5 in. (68.58 x 57.15 cm). Estimate $1,200-1,500.
Lot 45. Julian Stanczak, American (1928 – ). Title: Sequential Chroma. Year: 1979. Medium: Silkscreen on Arches, signed and numbered in pencil. Edition: 175. Size: 31 x 26 in. (78.74 x 66.04 cm). Estimate $1,200-1,500.
Lot 46. Julian Stanczak, American (1928 – ). Title: Conferring Blue BR. Year: 1979. Medium: Silkscreen on Somerset, signed and numbered in pencil. Edition: 175. Size: 25 x 25 in. (63.5 x 63.5 cm). Estimate $1,200-1,500.
Lot 57. Untitled. 36 x 15 in. each sheet. Silkscreen on paper, ca. 1981, signed and numbered 52/75, not framed. From a series of five prints, these being A, C & E. Estimate $900/1,200.
Julian Stańczak. London
Lot 58. “London”. 27½ x 27½ in. Silkscreen on paper, initialed in pencil at the lower right, numbered 9/100 at the lower left, framed under glass overall 27-3/4 x 27-3/4 in. Paper size 27-1/2 x 27-3/8 in. Estimate $300/500.
Julian Stańczak. Red Cut-Out
Lot 59. “Red Cut-Out“. 24⅜ x 24⅜ in. Screenprint on paper, signed in the lower right margin, numbered 95/165 in the lower left margin, framed under glass overall 29-1/4 x 29 in. Blind stamped at the lower right corner of the paper and one at the lower left corner of the paper and upper left corner. Paper size 28-1/8 x 27-7/8 in.
Aspire 3/27/14.
Zachęcam do poznania życiorysu Juliana Stańczaka (http://www.julianstanczak.net/), polskiego artysty tułającego się od czasów II wojny światowej w różnych częściach świata, począwszy od wywózki przez ‘przyjaciół’ na Syberię, wyjście stamtąd z polskim wojskiem, pobyt w Afryce, nauką w Anglii i ostateczną emigracją do USA. Bardzo konsekwentny w swojej twórczości jaką krytycy nazywają ‘op-art’ i rozpoznawany na świecie. W Polsce mało znany a w USA ceny na jego prace osiągają tysiące dolarów, nie tylko w galeriach ale i w najlepszych domach aukcyjnych.
Trzy numerowane odbitki jego prac (silkscreen) pojawiły się na aukcji w Aspire. Są jeszcze osiągalne przez niezasobna kieszeń ale ta sytuacja długo nie potrwa.
Polish Art Corner 