Austriacy patrzą przez inne okulary skoro dopatrzyli się ‘mermaids’ w dwóch nagich kobietach kąpiących się nad brzegiem morza. A gdzie jest płetwa ogonowa widoczna gołym okiem w filmach Disneya? [Zgadzam się, że w 1922 roku Walt jeszcze nie wiedział jak wyglądają morskie kuzynki Ariel]. Płótno duże to i cena proporcjonalnie wysoka. Temat jednak o niebo lepszy od modlących sie na pustyni Arabów, tegoż malarza…jednak za drogo.
—————————————
Lot 1186. Felix Michael Wygrzywalski (Przemysl 1975 -1944).
Mermaids, signed, dated F. M. Wygrzywalski 1922, oil on canvas, 98 x 122 cm, framed
Dwa pióra wachlarza są polskiego autorstwa: Józefa Brandta i Władysława Czachórskiego.
———————————————–
Lot 1206. Painted fan. Consisting of 20 fan leaves, each painted and signed, and some dated, painted by German, Austrian, Polish and Spanish artists, oil on panel, 66 x 34 cm, mounted in an elaborate frame (Rei)
The fan includes characteristic works by the following artists: Franz von Stuck, Friedrich Stahl, Friedrich August von Kaulbach, Georg Friedrich Papperitz, Franz von Defregger, Josef Wenglein, Otto Strützel, Ludwig Willroider, Franz Skarbina, Jose Gallegos y Arnosa, Wladislaw Czachorski, Josef von Brandt, and others.
Lot 1158. Hipolit Lipinski (1846 – 1884) (Norytag 1846–1884 Cracow)
Polish Rural Folk – Girl in Sunday Dress,
and Farmer with Pipe, the second signed H. Lipinski, oil on artist’s board, each 27 x 21 cm, framed, (2)
Provenance:
Austrian private property.
Hypolit Lipinski studied under Luszczkiewicz (1828–1900) at the Cracow Academy, and later at the Munich Academy, before becoming a pupil of Jan Matejko (1838–1893). He painted predominantly genre scenes and scenes of contemporary folk life. His works are exhibited in museums including the Kunsthistorisches Museum in Vienna and the National Museums in Cracow and Breslau.
Lot 226. Magda Moraczewska (1965-)
Composition, 1987
Technique mixte (assemblage de divers matériaux : bois, toile, corde, plâtre, papier, peinture).
Signé et daté au dos.
55 x 66 cm.
Lot 1160. Jan Matejko Cracow 1838–1893)
Three-quarter length portrait of Carol Gilewski (18321871), Professor of anatomy in Cracow, on the reverse old exhibition label of the Kunstverein Vienna, monogrammed, dated J. 1872 M., oil on canvas, 133 x 92 cm, framed.
Provenance:
Emilie Gilewska, who commissioned this work 1872 after the death of her husband.
Collection Emilie Gilewska née Schuh (1841–1918), Krakov – Meran/Südtirol;
their heirs,
Private Poperty, Vienna.
Catalogued and illustrated in:
Matejko, Obrazy olejne. Katalog, Ed. Krystyna Sroczynska, Edition Arkady, Warsaw 1993, p.121, no.140
Exhibited:
Kunstverein Vienna, 1915.
We are grateful to Ewa Micke-Broniarek, curator at the National Museum in Warsaw, for her assistance in cataloguing this work, and for confirming the authenticity on the basis of a photo.
Jan Matejko, a Polish painter of historical scenes and portraits, was born in Cracow in 1838, dying here in 1893. He studied at the Cracow Academy of Fine Arts, under Hermann Anschütz in Munich between 1858 and 1859, and under Christian Ruben at the Vienna Academy between 1859 and 1860. In 1860 the artist settled in Cracow where he was appointed Director of the Academy of Fine Arts in 1873. Jan Matejko’s home was transformed into a museum in 1904.
The artist rose to prominence thanks to his moving depictions of Poland’s history, and for his portraits which demonstrated an equally skillful ability to blend the temperament and clarity already evident in his monumental historical compositions. (Excerpts from Thieme-Becker, Allg. Lexikon der Malerei, Vol. XXIV)
The portrait shown here is a three-quarter view of the physician Professor Carol Gilewski (1832 – 1871) from Cracow, who studied under Professor Schuh, Director of the Surgical Department at the Faculty of Medicine in Vienna. Gilewski earned his doctorate in Vienna in 1856 and was employed as a medical assistant at the Oppolzer Clinic before being appointed Professor of Forensic Medicine at the University of Cracow in 1861. He later became Director of the Clinic for Internal Medicine in 1865. He rose to prominence not only for his revolutionary operational techniques but also his staunch and publicly-voiced anticlerical leanings. (Biography Portal ÖBL Print Edition)
Estimate EUR 100,000 to 140,000. Dorotheum. 10/22/15.
Rafał Malczewski jako ‘Canadian’ (wg opisu) osiąga dużo niższe ceny of Rafała Malczewskiego jako ‘Polish’ z liczącego się międzywojennego, art-deco, okresu jego twórczości. Proponuję szukać własnie takich prac.
——————————————
Lot 75. Rafal Malczewski Canadian, 1892-1965. Warsaw Mountain, British Columbia, 1943
Signed Rafal Malczewski., dated X-1943 and inscribed Columbia Big Bend. / Mount Warsaw (ll). Watercolor on paper. Sight 14 5/16 x 21 5/16 inches
Estimate $1,500-2,500. Doyle. 9/30/15
Strach patrzy w oczy gdy obok górnej pracy pojawia się praca pokazana na dole. Trzeba mieć odwagę by kupić górna.
—————————————————
Lot 82. Eugene Zak Polish, 1884-1926. Portrait of a Raven-Haired Woman. Signed Eug. Zak (ll). Watercolor, crayon and graphite on paper. Sight 8 x 7 1/2 inches
Estimate $3,000-5,000. Doyle. 9/21/15. Sold for $6,250 (Includes Buyer’s Premium)
—————————————————
Lot 83. Eugene Zak Polish, 1884-1926. Portrait of a Boy, Purportedly the Artist’s Son. Signed Eugene Zak (ul). Oil on canvas laid to board, 12 x 10 1/4 inches
Estimate $2,500-3,500. Diyle. 9/21/15. (Unsold)
Temat powielany wielokrotnie. Ta słaba replika powstała w schyłkowym okresie malarza, w czasach już komunistycznych. Jeśli miałbym wybór to z ociąganiem wybrałbym replikę międzywojenną. Z pracami Jerzyka trzeba uważać bo tylko czasami trafia się coś wartościowego i oryginalnego.
——————————————–
Lot 43. Jerzy Kossak Polish, 1886-1955. Soliders at Rest, 1950. Signed Jerzy Kossak and dated 1950 (ll)
Oil on board, 13 3/4 x 19 5/8 inches.
Nie widzę w tym ręki Fałata ale mogę się mylić. Nie mylę się jednak radząc by ominąć tę akwarelę.
————————————————–
Lot 42. Julian Falat. Polish, 1853-1929. Hunting in Nieswiez. Signed with conjoined first initials JFalat and inscribed Nieswiez (ll). Watercolor heightened with white on paper. Sight 9 3/8 x 10 11/16 inches
Estimate $1,500-2,500. Doyle. 9/30/15