Lot 97. Maks Haneman (Polish, 1882-1942) – Our Lady of Czestochowa and Saint Clement Church in Zakopane, Oil on Canvas, 1932. Signed and dated. 65x90cm. Estimate $1,500-$3,000. Pasarel. 10/30/25

Widok na kościół św. Klemensa na Pęksowym Brzyzku (tzw. stary kościółek) w Zakopanem. Kościół, pobudowany w połowie XIX wieku, stoi na cmentarzu przeznaczonym dla zasłużonych osób.

Kolejny polski malarz żydowskiego pochodzenia, który został zamordowany przez Niemców. Sporo prac Maxa Hanemana było na polskich aukcjach, głównie pejzaże tatrzańskie.

Lot 208. MAX HANEMAN (1882-1941/44?). Grandfather and granddaughter. Poland, ca. 1930. Oil on panel. Signed lower right. H_73 cm W_49 cm.
Maks Haneman was born in 1882 in Lodz and began studying at the Academy of Fine Arts in Krakow in 1907 as a disciple of Leon Wyczolkowski and Teodor Axentowicz. After spending several years at the university and three years at the Warsaw School of Fine Arts, he returned to the Krakow Academy of Fine Arts, where he graduated in 1920. He travelled twice to Palestine, which had a strong influence on his work. Views of the holy places of the three monotheistic religions were present in the many exhibitions of his paintings in Poland (Lodz, Krakow, Warsaw). He lived for a time in the Polish Tatras in Zakopane and painted landscapes inspired by this region. At the outbreak of the Second World War, he returned to Lodz and was deprived of all his property, ending up in the Lodz ghetto, where he probably died between 1941 and 1944. Estimate 1,500 – 2,500 euro. Pierre Berge & Associes. 12/20/21

Dobra praca i nie razi swoją orientalną tematyką. Dwa oleje Maksa Hanemana (Maxa Hannemana) o podobnej tematyce i podobnych tytułach znajdują się w zbiorach Żydowskiego Instytutu Historycznego w Warszawie. Sporo bardzo dobrych zakopiańskich pejzaży tego malarza było na aukcjach Polsce, jak też niezłych portretów. Haneman to kolejna ofiara ludobójstwa niemieckiego.

Lot 22. MAKS HANEMAN (1882 1941). “Jews praying in front of the Western Wall”. Oil on canvas, Jerusalem, circa 1925. Signed on the lower left, and signed in Hebrew on the lower right. This large work represents Jews of Ashkenazi and Yemenite origin praying in front of the Western Wall in Jerusalem. in the 1920s, only a small part of the Wall was accessible to the worshipers, unlike today. Bright work, painted with warm colours. H_70 cm L_100 cm (27 ⁹/₁₆ x 39 ³/₈ in).

MAKS HANEMAN (1882-1941). Maks Haneman was born in 1882 in Lodz and started to study in the Academy of Fine Arts of Krakow in 1907, as a disciple of Leon Wyczolkowski and Teodor Axentowicz. After spending several years at university and three years at the Fine Arts School in Warsaw, he returned to the Academy of Fine Arts in Krakow where he graduated in 1920. He travelled twice to Palestine, which had a strong influence on his work. Views of the holy sites of all three monotheistic religions were present in the multiple exhibitions of his paintings in Poland (Lodz, Krakow, Warsaw). He lived in the Polish Tatra mountains in Zakopane for a certain time and painted landscapes inspired by this region. At the outbreak of World War II, he returned to Lodz and was deprived of all his properties and ended up in the Lodz ghetto where he probably died between 1941 and 1944. Estimate 3,000 – 5,000 euro. Pierre Berge & Associes. 02/01/21